The Taittinger Collection Series was conceived in the late 1970s by Claude Taittinger. Long a patron of the arts, with a passionate interest in the modern schools of painting and sculpture, he perceived a natural alliance between the creation of the artist and the art of the great winemaker. Thus, in 1983, Champagne Taittinger introduced the first of its revolutionary Collection Series, uniting art and Champagne in the design of a special bottle with a laser-sealed sheath that visually expresses the artistís concept of the magic of Champagne. Featuring the work of artists such as the French surrealist Andre Masson, American pop artist Robert Rauschenberg, and more recently the renowned Senegalese painter Amadou Sow, these exquisite bottles are commissioned well into the 21st century, and will perpetuate Champagne Taittingerís affiliation with the greatest artists of our time.
The Taittinger Collection Series bottles are released only in great vintages, from a selection of the year’s finest cuvees. The wines are made from Chardonnay mainly from the Grands Crus of the Cote des Blancs, and Pinot Noir from Montagne de Reims and Vallee de la Marne vineyards. The fruit is pressed in the vineyards and the first pressing is transported to the winery for fermentation, followed by a second fermentation in the bottle. Aged for five or more years on the lees, the wine acquires complexity and the fine, pinpoint bubbles characteristic of its sparkle.
|Champagne Taittinger is one of the few remaining family owned and operated Champagne houses. The firm is distinguished for its extensive vineyard holdings of 752 acres, including prestigious Grand Cru vineyards in the Cote des Blancs and Montagne de Reims regions. Unlike most large houses, Champagne Taittinger relies primarily on estate grapes for its portfolio of Champagnes. Also unique are the higher proportion of Chardonnay in its wines that gives Taittinger its signature style, and the time devoted to aging the wines before releaseómost often greatly exceeding the legal requirement, in a practice that also has become a Taittinger hallmark.